![]() ![]() During this time, the corpse would be susceptible to being revived by a bokor, or witch doctor, who would keep it as a personal slave, granting it no agency. The rural Haitian spiritual belief system - which was largely formulated by the millions of West African slaves the French brought to the country in the 17th century - held that those who died from an unnatural cause like murder would “linger” at their graves. Though various concepts of the dead rising date back thousands of years in many different cultural variations, the American depiction of the zombie was borrowed from 19th-century Haitian voodooism. From Haiti to Hollywood: fear of voodoo and primitive culture A depiction of Felicia Felix-Mentor, a Haitian “zombie” reported to be real in the 1930s. Among a sea of gaunt, gangling bodies, it hobbles over its own intestines and chatters its decaying teeth.īut looking back at the history of the zombie in American culture, from its entry into our consciousness to The Walking Dead, the creature is more than an aesthetic horror - it is a form of political commentary.įor 80 years, the undead have been used by filmmakers and writers as a metaphor for much deeper fears: racial sublimation, atomic destruction, communism, mass contagion, globalism - and, more than anything, each other. ![]() It lurches forward in tattered clothing, arms reaching out for supple flesh. ![]() It is gray-skinned and bloodied, missing a limb or an eyeball. The zombie, by its physical nature, inspires fear. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |